Sony's E F OSS lens, being a versatile zoom lens that covers an amazing magnification range of 11x focal length,producing high quality images. This Sony E mm OSS LE is a small, wide-range zoom that does just about everything, and it's light enough to carry everywhere all day. The Sony Emm f/ OSS LE is a lens with a large zoom range. Thanks to the optical zoom feature of 11x, you can use this lens in countless. APPLE MACBOOK PRO REVIEW 13 For more information, see Domain pass-through default configuration. As an interface allows is intended any features. If you the first familiar with of the. You can it's just doing two to open keyfiles to multiple viewers.
The retractable body frame 'trunk' consists of 2 sections. There are no backlashes between the parts of the trunk. The lens has metal bayonet. Most of the lens barrel is made of metal alloy. The metal parts of the body have very small decorative notches. These knots are quite easy to damage, for example, to scratch.
Over time, metal scratches begin to significantly spoil the appearance of the lens. The part of the frame on which the 'LOCK' is located is made of plastic, over time the color of the plastic changes slightly and differs from the metallic silver color of other parts of the case.
Changing the focal length is difficult and jerky. The trunk of the Sony E spontaneously changes its size under its own weight, over time, problems with the trunk may worsen. Especially for this, there is a focal length lock on the lens - the LOCK button. It locks the lens at the 18mm focal length position. There is a bayonet mount mark on the body and a mark for quick installation of the hood.
The lens uses a plastic hood that is fixed in special grooves located near the front lens of the lens. The hood can be installed in the opposite direction for transportation. This position makes it difficult to access the zoom ring. When the focal length is changed, the hood moves with the front of the lens. Unfortunately, only a black hood is available for the silver lens. When changing the focal length, the rear lens moves in the middle of the lens body like a pump - it draws in and pushes out air.
This can increase the amount of dust that accumulates in the inside of the camera. Stated that the stabilizer can compensate 4 stops by shutter speed by Sony standards. In numerical terms, this means that you can shoot at shutter speeds 16 times longer than what a lens without a stabilizer requires. There is no switch on the lens responsible for stabilizer operation.
The stabilization function is turned on in the camera menu. There is no noise from the stabilizer. When using the lens, it seems that the stabilizer does not work at all. Perhaps it turns on at full power only during shutter release. In general, the stabilizer confidently holds two or three stops along shutter speed.
The lens uses a built-in stepping or linear focusing motor In some sources there is information that the motor is ultrasonic, similar to the Sony SSM. Auto focus speed medium closer to high. The focusing speed will depend slightly on the camera used. The first Sony NEX cameras for which this lens was developed used automatic focusing by contrast, which is sometimes slower than the hybrid focusing methods of subsequent generations of Sony Alpha.
Auto focus is very quiet. In good lighting conditions, there are practically no problems with accuracy, tenacity and refocusing. But in poor lighting, especially in the tele range, the lens can scour for a long time in search of the correct focusing. It is also very difficult to get the lens to focus at close focusing distances for pseudo-macro photography, especially at mm focal lengths. Sony a has a primitive autofocus system, everything should be much better on modern Sony cameras.
With very smooth rotation, the focusing ring rotates several full revolutions from MDF to infinity. Electronic focus ring reacts more to the speed of its rotation than to a specific angle of rotation, which sometimes creates a tactile inconvenience. During auto focus focus ring remains stationary. During focusing, the front lens remains stationary, as the lens uses internal focus.
Thus, it is possible to use any filters without problems, for example polarizing or gradient. The minimum focusing distance is 30 centimeters at 18 mm focal length and 50 centimeters at mm, while you can get the maximum magnification for macro photography of 1: 2. The Sony E originally came with cameras with a 14MP sensor, but later it migrated to cameras with a MP sensor, on which he already feels less confident.
In general, the Sony E does not shine optically, but it can be forgiven for the huge zoom ratio. Purchase this item between the 10th of December and the 31st of December and you can claim back R2 of your purchase. To claim your cashback simply visit Sony's promotional website. Please see the link for more terms and conditions. All products excluding batteries sold by Orms are covered by a minimum of a one year local warranty , reckoned from the date of purchase, to protect you against manufacturing defects.
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The construction of the lens uses Sony's standard satin black finish, combined with a metal lens mount and a plastic filter ring. Seven rounded diaphragm elements make up the aperture, producing nice out-of-focus backgrounds. There only control surface on the lens other than the focus and zoom rings is a zoom lock switch, as all lens functions are controlled via the camera. As well, there is no distance scale, depth-of-field scale or infrared index marker.
The ring will rotate forever in either direction with no hard or soft stops, and doing so brings the camera into manual focusing mode, with the 7X or 14X enlargement as previously described. The placement of the ring may require some adjustment for conventional camera users - it's mounted behind the zoom ring, instead of at the end of the lens.
The zoom ring is almost one inch wide, rubber with large raised ribs. The ring is smooth to turn, though perhaps a little stiffer than we'd like, and offers 90 degrees of turning action to run through the available range of focal lengths. There is some significant lens extension as the lens is zoomed in towards mm: the lens adds 3'' to its overall length, almost doubling in size.
Zoom creep is not a factor with this lens, but Sony has thought to include a zoom locking switch that keeps the lens fixed to the 18mm position. The lens offers image stabilization, which produced about 3. It's worth noting that the lens is long enough that using an on-board flash in a NEX camera will produce a shadow when the lens is set to wide-angle; using a lens hood will exacerbate this problem.
To counter this one must use an external flash. Distortion is a bit more prominent; corner shading is about the same. Both lenses feature OSS and are about the same price. Optically it's about the same, perhaps a slight bit worse in some respects, but Sony is not discontinuing the original mm. If you wanted a super-zoom lens and thought the original mm was too big for your NEX camera, this is the lens for you. The VFA target should give you a good idea of sharpness in the center and corners, as well as some idea of the extent of barrel or pincushion distortion and chromatic aberration, while the Still Life subject may help in judging contrast and color.
We shoot both images using the default JPEG settings and manual white balance of our test bodies, so the images should be quite consistent from lens to lens. For the ''VFA'' target the viewfinder accuracy target from Imaging Resource , we also provide sample crops from the center and upper-left corner of each shot, so you can quickly get a sense of relative sharpness, without having to download and inspect the full-res images.
To avoid space limitations with the layout of our review pages, indexes to the test shots launch in separate windows. Still Life shot. The biggest limitation is its slow aperture of 6. As soon as the sun is not there you need to quickly climb in ISO from to , and you get noise.
If you look for a quality zoom these are the better alternatives. If you want to stick to a Globalement les performances du Sony mm F3. Like this: Like Loading This site uses Akismet to reduce spam. Learn how your comment data is processed. Corners F11 — 18mm. Tamron mm F3. Pingback: Tamron mm F3.
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